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And so it begins…The new Night of the Crabs Black Hill Books (BHB) edition is due out soon - we are in the final stages of production and have commissioned new artwork by Liverpudlian artist Neale Thomas, who will hopefully provide artwork for all the books in the series available to BHB. See Neale’s website NealeThomasPaintings.com to admire wonderful paintings executed in a nostalgic style we think Guy would have loved. The edition also contains a new introduction by award-winning American author Brian Keene. Brian writes novels, comic books, short stories, and nonfiction and is the author of over fifty books, mostly in the horror, crime, fantasy, and non-fiction genres. He was also a friend of the late great JF Gonzalez, of Clickers fame, who wrote an introduction for Night of the Crabs back in 2009. Brian has gained permission from the Gonzalez estate for BHB to use Gonzalez’s introduction again in the future - perhaps one to save for a limited edition collectors’ hardback copy. To find out more about Brian, visit his website www.briankeene.com. His latest work, co-written with wife Mary Sangiovanni (also award-winning), Things Left Behind is on sale and can be bought from Amazon: https://amzn.to/3k0UboV
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“How I Knew Guy”
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Lovecraft’s Long ShadowA hardcopy Polish edition of the 1994 Shadows Over Innsmouth (Widma Nad Innsmouth), including stories inspired by Lovecraft’s original horror novella, was published by Vesper in late 2022. This revised and updated version, edited by Stephen Jones, is part of Vesper’s ‘Kroniki Arkham’ (Arkham Chronicles) series and reveals splendid cover artwork by Maciej Kamuda (ISBN 978-83-7731-404-3). The anthology includes Guy’s story Return to Innsmouth. The original English edition is still available as kindle and paperback on Amazon.
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"Mystery Man” Diary 1957Here is the fourth instalment of Guy’s secret teenage diary, originally handwritten and published in the GNS newsletters for the first time. Guy would have been just 18 years old when he wrote it and was already working in the Midland Bank. Enjoy! Wednesday February 6th Thursday February 7th Friday February 6th Saturday February 7th Sunday February 8th Monday February 11th Tuesday February 12th Wednesday February 13th- “Tomorrow is ST. VALENTINE’S DAY” Thursday February 14th Friday February 15th Saturday February 16th Sunday February 17th Monday February 18th Tuesday February 19th Wednesday February 20th Thursday February 21st Saturday March 2nd Sunday March 3rd Monday March 4th Tuesday March 5th Wednesday March 6th Thursday March 7th |
Last Word by Chris ElphickMeatloaf introduced me to Guy N Smith. Kind of. I was a fan of the singer, and both the cover art and title of Guy’s Bats out of Hell reminded me of Meatloaf’s inaugural album. A few weeks later, I happened upon the psychedelic skull cover of The Sucking Pit. Son of the Werewolf followed shortly afterwards. At this time, my choice of reading matter was dictated mainly by whatever W.H. Smith sold. For some reason, I only managed to source one more of Guy’s titles in their Swansea branch – Son of the Werewolf, which I read out of sequence but nevertheless enjoyed immensely. There was one further GNS book that intrigued me around that time. One that I got deliciously close to reading. I remember the occasion distinctly. I was around at my grandmother’s when I spotted Caracal, sporting its proud cover of a savage big cat snarling at its prospective reader, lying invitingly on the coffee table. Seeing the book piqued my interest. My grandmother said I could have it as my uncle had finished reading the novel. This delighted me. I immediately had the book in my hands, had started flicking through its pages and relished the chance of submerging into the world of my fourth GNS book. And then my uncle walked in and piped up, “Oh, I wouldn’t let him read that! There are some very risque scenes in it.” To which my father responded by making me return the book to the table! And then, for a long while at least, that was that. I left school, started studying for my college degree, and fiction novels got replaced with non-fiction texts on semiotics. Then, I met my wife, had our children, got a job etc. My fiction reading was a thing of the past. Many years later, when the children were older, I stumbled upon a review of Guy’s Manitou Doll. Again, the book cover attracted me with its lurid ‘punchy’ cover, and the storyline of a wet seaside weekend near a decrepit malevolent fairground intrigued me. Of course, I had to read it… Zoom forward a few more years to last winter. By this time, my reading had slowed again. I was scarcely getting through a novel a year, with my reading largely confined to summer readings in the garden. I decided enough was enough. I wanted to read more. Lots more. To give myself that extra push, I challenged myself to read as many books as possible in 2023. Knowing Guy’s books were compelling, fast reads which sucked you in and spat you out again before your mind stopped reeling, I confined my mission to his novels. And to sustain my resolution and stamina, I joined like-minded lovers of Guy’s work through his official Facebook pages, where I have been enthralled by their various posts. Re-entering the world of GNS in 2023 has been addictive. As well as ending up with more of Guy’s books than I could possibly read, I have even collected a few handwritten manuscripts from his remarkable oeuvre - items I will genuinely treasure. By the time this article reaches you, I will already be nineteen books deep into my 2023 GNS readathon, which evidences how much I genuinely enjoy Guy’s books. And, whilst there are still a couple months of 2023 ahead, I already know which book will complete the challenge – my long-awaited read, Caracal! You can follow the progress of Author/Photographer Chris Elphick’s Guy N Smith readathon on the web page devoted to GNS on his blog – visit www.pixie-led.co.uk and click on the label ‘Guy N Smith’. His latest book, Vampires from Hell is out now.
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Newsletter written and compiled by Tara Paulsson. Black Hill Books Ltd would like to say a big thank you to all guest contributors to this edition. |